You’re invited to Paw Prints Studio and Gallery for some light refreshments and a bit o’ green cheer at their next Sunday Showcase, March 7, featuring art by John Salsnek. St. Paddy’s Day specials last the whole month long!
Our Collectors’ Appreciation Special continues by popular demand. Your second print is only $11, celebrating our 11th year in our own Gallery! Gift specials until Christmas and we’ll be open every day!
Our architectural vision for the Quail’s Nest Arts Centre is captured in the following renderings by Bevanda Architecture, Penticton. We gratefully acknowledge the financial assistance of the Oliver Rotary Club which enabled the arts council to hire the services of Bevanda Architecture, and the hard work of our Vision committee who consulted with Bevanda on our goals and needs.
1. Front Entry View : From 95th Street, a visitor will see the original maintenance shed (north, on right) converted into a multi-use performance space, including flexible seating, floor space, and stage area, grid system lighting , greenrooms and storage. This is the proposed first phase of renovations. South (left) along 95th Street is a proposed gallery and gift shop.
2.Front Lobby View: Entering from the 95th Street entrance , a visitor will be greeted in a light airy lobby.
Beyond the lobby is a long breezeway running between the multiuse performance space to the north (right) and a sunny courtyard (centre background). It’s a perfect place for small touring exhibits, elegant pre-show cocktails, and intermission lounging.
The lobby also gives access to the gift shop.
3. Lobby Gallery View : This rendering looks back east towards the front lobby desk and 95th Street from the west end of the breezeway. To the left in the picture is the multiuse performance space. If you look closely, you can see some of the original shed exterior along the wall on the left!
To the right are the windows opening onto the inner courtyard. Behind the viewer are washrooms and concession areas.
4.Courtyard View: Reflecting the “Quail’s Nest” name, the arts centre shelters an intimate inner courtyard. The rendering looks west towards a concession area and washrooms, with studio and office areas beyond. To the right is the long breezeway and lobby area (with performance space beyond).
The courtyard gives access to the whole facility around the square: performance area, gallery, lobby, gift shop, studios, concession, administrative offices, and washrooms.
The courtyard, with its sunken quadrangle, is a perfect venue for outdoor concerts and other small performances. Alternatively, the central area can be used for a water feature, container garden, or sculpture display.
5.Studio View: In the final phase of building, a line of small studios along the south end of the property face inwards onto the courtyard. This view looks north out of one studio into the courtyard and opposite the breezeway and performance space.
Behind the painting figure on the right (east) is the lobby, gallery and gift shop area that face onto 95th Street.
6.Exterior View: Along the south side of the complex is outside access to studio spaces (the near doorway) and administrative offices (far end of the walkway).
Phased in several sections, the renovation of the Quail’s Nest Arts Centre is a mammoth undertaking requiring at least $3 million in fundraising. However, the Oliver Community Arts Council believes such a facility could become a hub of unique artistic activity in the South Okanagan. Oliver has a comparatively large percentage of its population active in the arts, many at commercial or professional quality. being aready recognized as the Wine Capital of Canada, Oliver is set to become a tourist destination for arts and culture.
The Board is seeking a professional fundraiser to initiate these efforts, and the patronage of major corporate sponsors and private benefactors. We welcome any interest in seeing our vision become a reality! olivercac@gmail.com
Renderings: Bevanda Architecture, Penticton
Photos: Penelope Johnson
Our architectural vision for the Quail’s Nest Arts Centre is captured in the following renderings by Bevanda Architecture, Penticton. We gratefully acknowledge the financial assistance of the Oliver Rotary Club which enabled the arts council to hire the services of Bevanda Architecture, and the hard work of our Vision committee who consulted with Bevanda on our goals and needs.
1. Front Entry View : From 95th Street, a visitor will see the original maintenance shed (north, on right) converted into a multi-use performance space, including flexible seating, floor space, and stage area, grid system lighting , greenrooms and storage. This is the proposed first phase of renovations. South (left) along 95th Street is a proposed gallery and gift shop.
2.Front Lobby View: Entering from the 95th Street entrance , a visitor will be greeted in a light airy lobby.
Beyond the lobby is a long breezeway running between the multiuse performance space to the north (right) and a sunny courtyard (centre background). It’s a perfect place for small touring exhibits, elegant pre-show cocktails, and intermission lounging.
The lobby also gives access to the gift shop.
3. Lobby Gallery View : This rendering looks back east towards the front lobby desk and 95th Street from the west end of the breezeway. To the left in the picture is the multiuse performance space. If you look closely, you can see some of the original shed exterior along the wall on the left!
To the right are the windows opening onto the inner courtyard. Behind the viewer are washrooms and concession areas.
4.Courtyard View: Reflecting the “Quail’s Nest” name, the arts centre shelters an intimate inner courtyard. The rendering looks west towards a concession area and washrooms, with studio and office areas beyond. To the right is the long breezeway and lobby area (with performance space beyond).
The courtyard gives access to the whole facility around the square: performance area, gallery, lobby, gift shop, studios, concession, administrative offices, and washrooms.
The courtyard, with its sunken quadrangle, is a perfect venue for outdoor concerts and other small performances. Alternatively, the central area can be used for a water feature, container garden, or sculpture display.
5.Studio View: In the final phase of building, a line of small studios along the south end of the property face inwards onto the courtyard. This view looks north out of one studio into the courtyard and opposite the breezeway and performance space.
Behind the painting figure on the right (east) is the lobby, gallery and gift shop area that face onto 95th Street.
6.Exterior View: Along the south side of the complex is outside access to studio spaces (the near doorway) and administrative offices (far end of the walkway).
Phased in several sections, the renovation of the Quail’s Nest Arts Centre is a mammoth undertaking requiring at least $3 million in fundraising. However, the Oliver Community Arts Council believes such a facility could become a hub of unique artistic activity in the South Okanagan. Oliver has a comparatively large percentage of its population active in the arts, many at commercial or professional quality. being aready recognized as the Wine Capital of Canada, Oliver is set to become a tourist destination for arts and culture.
The Board is seeking a professional fundraiser to initiate these efforts, and the patronage of major corporate sponsors and private benefactors. We welcome any interest in seeing our vision become a reality! olivercac@gmail.com
Renderings: Bevanda Architecture, Penticton
Photos: Penelope Johnson
Dyeing for their Art: Fabric Artists Kick Off Summer Studio
Colour is not something seen with the eye, but something spun, woven, and dyed. Colour becomes three-dimensional under the talented hands of the Desert Sage Spinners and Weavers. The Guild is eager to demonstrate the richness and variety of their craft during the first week of Summer Studio, July 6 -11, at the Quail’s Nest Arts Centre.
Summer Studio, a series of weekly displays, workshops and demonstrations of local art and craft, opens July 6 and runs into August. Art comes alive in this Oliver Community Arts Council program. The program operates like a studio rather than a gallery. In addition to viewing finished pieces, visitors can watch art in progress as artists demonstrate their techniques.
Every Summer Studio week opens with a public reception on Mondays 6 – 8 p.m. The casual receptions have become a popular venue to bring house guests and friends to enjoy a relaxed evening of art, food, and music. Public displays and demonstrations run Tuesdays to Saturdays 9 a.m. to 3 p.m.
The Desert Sage Spinners and Weavers will be demonstrating a variety of techniques during their week. Nuno felting, a Japanese art form, will be demonstrated on Tuesday July 7. As Guild member Gail Erickson explains, “The Nuno technique felts loose wool onto a silk or gauze background. We experimented with this skill earlier in the year, and are ready to demonstrate it to the public.” On Thursday July 9 the guild will be busy wet felting, and on Friday and Saturday will be up to their elbows in natural dyes. “These aren’t just demonstrations,” says Erickson. “It’s all hands on! We encourage the public to come out and try it for themselves.”
The popular Wednesday Kids’ Days encourage children to experiment with that week’s artistic medium, but geared to children’s skill level and interest. The Spinners and Weavers are considering two crafts for their Kids’ Day on July 8: weaving on cardboard looms or some form of dyeing activity. Programmed Kids’ Day activties run 10 – 12 noon Wednesdays, but children are welcome to visit any time. Children must be accompanied by an adult.
Upcoming displays include the Oliver Sagebrushers, a fine art club (July 13 – 18) and The RipOff Artists, a multimedia artists collective who interpret famous works of art (July 10 – 25). in past years, the RipOffs have exhibited their interpretations of Van Gogh’s “Cypresses” and Gustav Klimt’s “Emilie Floge”. The RipOffs will be inspired by Georgia O’Keeffe’s painting “Pink Tulip”.
All opening receptions, displays, demonstrations and Kids’ Days are free and open to the public. The Quail’s Nest Arts Centre is located just west of the Oliver airport at 34274 – 95th Street. For more information about Summer Studio, call arts council rep Penelope Johnson (498-0183), the Quail’s Nest Arts Centre (485-0088), or check the weekly Chronicle ads.
For the month of July, Handworks Gallery in Oliver is featuring the work of fibre artist Carole Grant (pictured at left) .
Titled “Soft Expressions” the show will be of special interest to textile artists and quilters. Some of the pieces are award winners and have been widely toured with other exhibits. for a sample of her talent, take a look at some of her artwork below.
Please come to the reception on
Saturday, July 4 2:00 – 4:00 p.m. Handworks Gallery35648 – 97 St. Oliver, BC250 – 498 – 6388
As a former school art specialist, Carla Leinweber created art using many different media. Then in 1997, she took a course in gourds and was hooked. Handworks Gallery is pleased to be hosting Carla’s first solo show during the month of May. Do come and see the beautiful and unique art possible using the lowly gourd.
Handworks Gallery
35648 – 97 St.
Box 271
Oliver, BC V0H 1T0
(250)498-6388 www.handworksgallery.ca
“Carla Leinweber has been involved in art as far back as she can remember. Professionally Carla was an Art Specialist with the Calgary Board of Education prior to moving to Okanagan Falls, B.C. During her career Carla co-authored a published curriculum unit for the Alberta Fine Arts Council and Global Education and held the position of Visual Arts Representative for the Province of Alberta for 2 years representing the Alberta Teacher’s Association. Carla also served as a museum docent for the Glenbow Museum in Calgary for two years.
“Carla’s introduction to gourds began with ornamental gourds. She would buy them to use in her still life classes as they were so beautiful to draw. In 1997 Carla took a course under the instruction of artist Rhoda Forbes at the Grist Mill in Keremeos, BC and within hours, Carla was totally entranced with this new art form.
“Carla’s ideas start with various images and then she proceeds to search out a gourd that will act as the foundation for this.
“I was very fortunate in my teaching career to have been exposed to the multitude of art materials and processes over the years. Thus, I can rely on the techniques of pyro-engraving, weaving, incising, painting, collage. This, combined with dyes, inks, pastels, wires, hand-made paper, found objects, fibres, etc allows me to push the visual artistic capabilities of a gourd to the limit of ones imagination.” “