Piano “jewel” in Venables lobby setting

The Frank Venables Theatre lobby now provides the shimmering setting for a jewel of a piano: a Petrof grand. The glossy black instrument has been donated to the Venables theatre society as a memorial to piano teacher, Agnes Sutherland, who passed away in March 2016. A “baby sister” to the Yamaha used onstage at the Venables, the Petrof will provide entertainment at small recitals, receptions, weddings, exhibits and gala events in the theatre lobby. The fundraising campaign achieved its goal in a matter of months, raising $10,000 for this “lovingly used” instrument.  Giving added meaning to the memorial, the piano was purchased from Jeanne Crawford, whose daughter had been a piano student of Sutherland’s many years ago. The family had kept the piano in pristine condition.

As proven at a donor reception on Saturday January 28, the piano holds its own in the large lobby. Despite a lofty two-storey ceiling, the instrument’s smooth tones easily filled the space. The reception featured several pianists, chosen for their musical variety. Fourteen-year old Chase Alaric amazed the donors with his boogie-woogie blues workout. Jim Wyse tickled the keys with some jazz arrangements, with loudest applause for Oscar Peterson’s moving Hymn to Freedom. Piano students Kendra and Mataya Leinor and Kelan Harty (above) added sophistication with some classical pieces. One of Sutherland’s former pupils, Lisa Elgert, performed Lara’s Theme from Doctor Zhivago. In a fitting tribute, Ginette Aubin (below) lent her powerful pipes to a performance of I Believe, accompanying herself on the piano.

Interspersing the musical numbers were several reflections on Agnes’ contributions to the Oliver community. Several members of Agnes’ family were on hand to reminisce, including speeches by her brother Dave Evans and daughter Sally Franks. Penelope Johnson of the Oliver Community Arts Council, announced the society had made an additional $5000 in memorial donations to local schools for capital expenditures in both music and fine arts departments. She also recalled Agnes’ connection to the original Venables Theatre, as an accompanist for many SOAP musicals and student recitals.  Venables Theatre manager, Deb Martin, expressed her amazement and gratitude for the outpouring of support for the memorial piano.

A total of $10,000 was raised with the support of many organizations, including those of which Agnes was a member (the Oliver Sagebrushers and the Oliver Community Arts Council), as well as the South Okanagan Concert Society, Women of Oliver for Women, and the Oliver Community Theatre Society. Roughly sixty individuals also donated generously to the memorial fund. In addition, several of Agnes’ paintings were sold to raise money for the piano. The memorial campaign was co-chaired by Marion Trimble and Sally Franks.

The funds required to pay for a brass plaque will be raised with a raffle. Prizes are three paintings by professional artist Robert E. Wood, of Calgary. Prize winners will be announced on May 11 during the Wine Capital Art Walk. Tickets are $5 each and can be purchased at the Venables Theatre.

Photo credit: Penelope Johnson

Concert enthralls with Brubeck tribute

by Anneke Le Roux
How lucky can our little town of Oliver be!?  We have a phenomenal theatre that brings incredible acts like the Montreal-based Rémi Bolduc Jazz Ensemble performance hosted by the South Okanagan Concert Society January 27th.   I could not believe my good fortune and did not stop smiling.  The Dave Brubeck Tribute concert was World Class!

The set-up was plain and simple, no gimmicks or distractions, just pure, enthralling, mind-blowing craftsmanship. Rémi Bolduc brought together musicians that not only understand their instruments and the music of Brubeck, but that lose themselves in the dynamics of ‘telling the story’ to the audience. It is the dynamics that pull you in and make you part of this world that is pure with utter brilliance. We all know jazz is not every one’s cup of tea, but when presented to you in this way, one can not help but stand in awe. And they do this without a single piece of sheet music!

Rémi plays a 60 year old Selmer alto saxophone (the very first one he bought for himself in the 80’s) with a tone quality of velvet. His understanding and portrayal of Brubeck’s music is the exact balance of beautiful tonal themes and lightning fast arpeggios and scale dissections  that leave one astounded when he lets loose. But he does not leave you behind. The audience could not agree more when the intro started to ‘Take Five’. That can only be done with years of impressive experience.
I was a bit worried or disappointed at first when the pianist sat with his back to us because it was not just any pianist, it was François Bourassa, and I wanted to see him interact with the other musicians.  He did this but now I did not see his face, but his hands. Oh those hands…! And his feet – which had a whole conversation all on their own. He made the piano sing with the lightest touch and a more controversial contemporary approach when he started “Bluette” on the piano’s anatomy (the insides of the piano). He plucked and played together, which caused great delight in the audience.

The double bassist Fraser Hollins and drummer David Laing’s solid performances were ever impressive and not to be underestimated. They made the transitions between aTempo and double time seem effortless, and they are the reason for every foot that tapped along.

Rémi Bolduc Jazz Ensemble is beyond fantastic! They are so aware of each other and what will happen next, they know the best ways to bring enhancement so the music stands out. What a privilege to see these professional musicians in action. They promised to return to the Okanagan, but if there’s a chance that they are near you, go! Their traveling schedule is available at www.stationbleue.com.

On this note, I have to say that so often the sound engineer is left behind. But Dave Mai (sound and lights) has done the outstanding by knowing the acoustics of the theatre so well and giving each individual instrumentalist the best balance, in order to give us the best performance. Thank you.

Frank Venables Theatre gives us another reason to be proud, and that is to anyone with an Orace Hearing System. On the 12th and 24th February, there will be two separate performances. 150 MOVES, Ballet Kelowna’s Celebration of Canadian Dance and DUO CONCERTANTE, and both performances’ sound will be paired with the Orace System. In other words, the music will be played directly in your ears!

DUO CONCERTANTE will be the next SOCS concert on 24 February at 7:30 at the Venables Theatre. Canadian partners in life and music, Nancy Dahn and Timothy Steeves perform on Violin and Piano. They have been praised by critics for over fifteen years for their ‘artistry, poetry and impeccable technique’. Tickets will be on sale at the theatre during new office hours. Tuesday, Wednesday, Thursday from 10:00 – 3:00. Make sure you don’t miss any of the shows!